Monday, February 17, 2014

Music Theory 101 #3: The Basic Skills of Music; Pitch Pt. 2

Hello everyone and welcome back to the Music Theory series on here. Before I begin, I would like to say thank you for all the reception and the help that was given towards helping me out with the site! It is not very apparent unless you run a project or a website to realize how much help there is when everyone submits feedback on it. From the bottom of my heart, I sincerely mean thank you. There was some things discussed that will cause a huge shift in this website within the near future, so stay tuned for that!

Key Terms:
Staff
Middle C
Treble Clef (G clef)
Bass Clef (F clef)
Grand Staff

As we were discussing last time, pitch is one of the six basic principles of a language. We have also discussed the basics of pitch as well from it's purpose to how it is heard and even broken it down into the 12 pitches on a keyboard. However, just so we can wrap this discussion up we need to go ahead and head from the basics that every musician knows and talk about the basic skill that every musician should know but do not. This is the staff and reading the clefs.

Blank staff lines from this site
First, we must look at what the staff is. The Music Staff is the space that musicians start when looking at music. It is a set of lines and spaces that musicians use to create notes. There are five (5) lines and four (4) spaces. As you go towards the top of the page, you go higher in pitch or heading towards the bottom of the page the lower you go. The notes themselves vary depending on which clef you are using.

In order to make sure that the following is extremely clear, we must find one point that defines each clef equally. For this, we are going to use "middle C" or the C that is in the middle of the piano. It is usually marked by the logo in the middle of the piano's cover but there are digital keyboards that note where it is. Something else I should bring up now is the statement of octave indicators (or Scientific Pitch Notation). This is how we figure out if a note is higher or lower without saying "this note is higher than" and so on. In the case of the previously stated "Middle C", it is identified as C4. The way I remember that middle C is C4 is thinking "Music starts at C and music is explosive!" (corny, but it works if you need something to use to learn). The way the indicators are meant to work as from C to B. So for example B3 is the B below middle C. For another example, let us look at D5. It is the D an octave above middle C. So instead of being the D directly above middle C, it is a note and an octave up.

This is a treble clef on a staff
Source: It's A Visual Medium
The clef is the first symbol on the staff. It defines where what note is on a staff, much like a a musical GPS coordinator. There are several dozen standardized clefs that are out there, and hundreds of non-standardized but  for this article, we will will talk about two specifically. The first clef we will look at is the Treble Clef, also known as the G clef. The reason for the name is the part that curls around the second to bottom line is noted as G. The space below that is an F, the line below that is E and so on. The space below the G is A, the line above that is B and so on. This G is known as G4 which means it is the G above middle C.
This is a bass clef on a staff
Source: Mr. Scheiber's Music Room

The other clef is the Bass Clef also known as the F clef. As with the previous, the reason for the second name is because the dots are placed around the note F. Also as before if you go down, you have E and D or up leads to G and A. Now, the thing to realize is this F is an F3, or the F below middle C.
This is a grand staff and note equivalents
Source: Click here

The final portion of this post will be about the grand staff and it's uses. The Grand Staff is the combination of the bass and treble clefs. It is used for piano, piano styled instruments and harp reading primarily but is used to condense scores down into an easier to read format. The reasoning is to create a larger range of pitches than any one can accomplish by themselves. It reads as if one large staff. The meet in the middle at middle C. Along with the additional space, there is an additional an bracket at the beginning to link them together. In the case of organ music, there would be three or possibly four staves but as I stated before this is primarily two. Next time we will start heading onto the next topic of discussion!

No comments:

Post a Comment